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Message: [QUOTE="Huge, post: 3161405, member: 1992"] I really don't think it's too complex. Watching acrobats at an event or professional ballet dancers usually gives the impression that timing, rhythm and control are effortless but rehearsal makes that happen. Seiplods approach is inherently flawed because he wanted to start at a point just short of perfection instead of the basics first. It's all well and good to shout 'but but they're professionals' but even Federer, Borg and Tiger Woods had/have coaches to keep fundamentals in place. There's a YouTube channel called Two Set (pro violinists) and they often say 'if you can play it slow you can play it fast'. I take that to mean first you play it, rehearse slowly but with utmost precision before building to greater pace. Control, timing, rhythm. That's how Melbourne are described. [TABLE] [TR] [TD][/TD] [TD][/TD] [TD][/TD] [TD][/TD] [/TR] [TR] [TD][/TD] [TD][/TD] [TD][/TD] [TD][/TD] [/TR] [TR] [TD][/TD] [TD][/TD] [TD][/TD] [TD][/TD] [/TR] [TR] [TD][/TD] [TD][/TD] [TD][/TD] [TD][/TD] [/TR] [TR] [TD][/TD] [TD][/TD] [TD][/TD] [TD][/TD] [/TR] [TR] [TD][/TD] [TD][/TD] [TD][/TD] [TD][/TD] [/TR] [/TABLE] [/QUOTE]

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